Mel Gibson’s deep thoughts about Apocalypto

by Carmen Van Kerckhove

apocalyptoWow. Check out this interview (hat tip to Newspaper Rock) in which Mel Gibson shares his inspiration for the film Apocalypto:

CS: What was it about the Mayan people or that era that got you interested in trying something like this?

Gibson: Well, no, it wasn’t that. At first, I was just trying to make a chase film, but I wanted to make it a chase film that didn’t have automobiles, so I thought of a foot chase. And I thought, “Well, where would you have a foot chase? You’d have a foot chase in some place that was a long time ago. And let me see, where can that be? Oh, this is interesting. No one’s really looked at this much before. And what’s more interesting is that the civilization dates back to millennia before the Europeans arrived.” And that to me, musing on what might have happened before Europe arrived—because we have this conceit that history began when we got here–I thought that was interesting. Most people do it when the boats arrive, and then the fun starts, but I wanted to do it the other way around, and look what was before all that.

Share and Enjoy:
  • Facebook
  • Twitter
  • StumbleUpon
  • del.icio.us
  • Google Bookmarks
  • NewsVine
  • Current
  • email
  • Print

Comments

  1. Y. Carrington wrote:

    Wow. And I thought that calling Hollywood stars stupid was just hyperbole.

  2. sylviasrevenge wrote:

    “hay look a civilization i’ve never really heard of b4…… i can make it sparkly =^_^=”

    What the hell, Mel Gibson. That’s horrid exploitation and appropriation if ever I’ve seen it.

  3. justin wrote:

    There isn’t a lot that bothers me in the interview. The mythic archetype thing is kind of irksome.
    From reading the quote I was expecting to discover something about sedan chairs, I am disappointed.
    Even if Gibson doesn’t have grandiose intentions this is still a prestige movie, it’s built on various principals (language and casting) that imbue it with authority and it cannot be taken at face value because of the strategic relationship to Gibson’s racism and the Passion of the Christ.
    I should spend more time entertaining the possibility that people like Gibson are redeemable but Apocalypto is not the thing to do that. He has broken new ground in the past, like when he took the Eddie Murphy role in lethal weapon, I guess.

  4. Just Wondering wrote:

    Movies that aim to be accurate portrayals of the past are called documentaries, and they air on the History Channel, not the local multiplex.

    Seriously, I don’t understand the knock on Gibson’s movie. He’s a Hollywood actor/director, not a professor of ancient cultures.

  5. sylviasrevenge wrote:

    I guess my qualms fall with this section of the interview:

    CS: Many people thought this movie was going to show the fall of the Mayan people, but really, it’s about the journey of one man, Jaguar Paw, and we only get glimpses of what may happen afterwards. Do you have any interest or desire to continue this idea into another movie?
    Gibson: Sure, I mean someone else will probably pick that ball up. I think the indications or the earmarks of a civilization on the wane are firmly implanted in the film: conspicuous consumption, corruption in power, fear as a manipulation tool, destruction of the environment. They bring about plagues and illnesses and corruption. You know, it’s one vicious cycle and it’s all built on fear. I think the quote at the beginning of the film is indicative of what you’re seeing is something that’s eating itself from within, and it’s ripe to be conquered from without.

    I understand that Gibson intends to make his film an allegory, but how historically accurate is it that the Mayan culture was reaching its downfall before Europeans arrived? The whole scenario uses a similar structure to Things Fall Apart — telling the story of one man through the richness of the culture he fully participated while simultaneously exploring the environment threatening that culture — but how fair of a treatment is the Mayan culture receiving in this film?

    Here’s an article from the Archaelogical Institute of America that explains my concerns clearer.

  6. Lyonside wrote:

    >Yes, Gibson includes the arrival of clearly Christian missionaries (these guys are too clean to be conquistadors) in the last five minutes of the story (in the real world the Spanish arrived 300 years after the last Maya city was abandoned).

    This is the damning part of the “Archaeology” article for me – if it’s true that Gibson’s aim is merely to show a good story about a relatively unknown (to many) culture at a key moment in time, why bother to drastically change events, especially ones of such significance (the arrival of Europeans) – UNLESS YOU”RE TRYING TO SAY SOMETHING.

    God forbid Gibson make a movie about Mayans without adding the white people? If that isn’t the point, then why add it? If it really is in the last parts fo the film, then it’s meant to wrap up the story. What was wrong w/ just leaving it as is, or show some early European explorers, or even modern day archaologists puzzling over the Mayan ruins?

  7. Lyonside wrote:

    Oh – and I wanted to repeat something I’ve written here before (thiefed without permission from an online history-major’s LJ): If a movie claims to be historically based, and Mel Gibson is in it, it’s probably wrong.

  8. makethelogobigger wrote:

    I’m just glad his recent escapades have made me forget all about Bird On a Wire.

    (Damn, until just now that is.)