Gwen Stefani: everyone else is racist, not me!

by Carmen Van Kerckhove

some random harajuku girl on a stock photography siteNice find from Angry Asian Man. In this interview with Entertainment Weekly, Gwen Stefani attempts to defend her use of the Harajuku Girls. I love Margaret Cho’s sarcastic response ;) :

But not everyone warmed to Stefani’s ”whole fashion thing” — in particular, the showcasing of her admiration for Tokyo trendsetters via an entourage of four Japanese women that she called the Harajuku Girls. The Girls silently accompanied her on photo shoots and to public appearances, and subsequently appeared on her tour. Stefani regarded the Girls, all of whom looked as if they had come straight off the streets of the capital city’s hip Harajuku district, as a figment of her imagination brought to life in a culturally positive manner. But last year, Korean-American comedian Margaret Cho publicly decried them as ”a minstrel show.”

”She didn’t do her research!” spits Stefani, who says she’s been a fan of Japan and its mix-and-match fashion sense since first visiting the country with No Doubt in the mid-’90s. ”The truth is that I basically was saying how great that culture is. It pisses me off that [Cho] would not do the research and then talk out like that. It’s just so embarrassing for her. The Harajuku Girls is an art project. It’s fun!” (Cho told EW via e-mail, ”I absolutely agree! I didn’t do any research! I realize the Harajuku Girls rule!!! How embarrassing for me!!! I was just jealous that I didn’t get to be one… I dance really good!!!”)

Stefani continues: ”I was surprised how racist everybody was about them. Especially when I came over here and they’d make all these jokes, like Jonathan Ross.” Ross, a British TV host, asked Stefani whether an ”imaginary hand job” from one of her ”imaginary” dancers would count as cheating on his wife. Stefani responds, ”Everybody’s making jokes about Japanese girls and the stereotypes. I had no idea [I’d be] walking into that.”

Yeah, gee I wonder why people would view Japanese women as submissive, pliable creatures when Gwen Stefani is parading these four women around as dancing, giggling human props who are contractually obligated to only speak Japanese even though they’re all American.

Trackbacks & Pings

  1. Gwen.. « Woman of (an)other Color on 30 Nov 2006 at 4:43 pm

    […] You are such a problem. I can’t even believe you’re the same woman who sang in No Doubt. Seems like only yesterday you were appropriating the bindi in your music videos..and now you’re bright eyed and in denial about your own participation in racism as you tromp around the world with your Harajuku Girls… […]

  2. In case you missed it… at Anti-Racist Parent - for parents committed to raising children with an anti-racist outlook on 01 Dec 2006 at 2:43 pm

    […] Gwen Stefani: everyone else is racist, not me! Yeah, gee I wonder why people would view Japanese women as submissive, pliable creatures when Gwen Stefani is parading these four women around as dancing, giggling human props who are contractually obligated to only speak Japanese even though they’re all American. […]

  3. Chillin’ Like a Somervillian » Blog Archive » If you wanna be my lover, you gotta deconstruct gender with my friends on 10 Jul 2007 at 4:56 pm

    […] Aside from her cultural appropriation, Gwen was a pretty cool feminist role model back in the 90s. “Just a Girl” was a veritable fuck-the-patriarchy ode. Now she’s just another self-centered celeb, not to mention a racist who thinks it’s cool to promote the stereotype of Asian women as submissive by using four Japanese women as props. […]

Comments

  1. S wrote:

    Wow. The Japanese “girls” are an “art project” who have to “submit” to speaking only in Japanese. Wow. Speechless. I thought I had heard it all.

  2. Gandalf Mantooth wrote:

    Those dancers don’t look like they’ve come “all of whom looked as if they had come straight off the streets of the capital city’s hip Harajuku district” in any of the pictures I’ve seen. You certainly wouldn’t see 4 women dressed exactly alike unless they were attempting some kind of statement. They really are a figment of Stefani’s imagination. One can’t forget what the dancers ultimately are, a promo for her boring clothing line.

  3. Y. Carrington wrote:

    Why the hell does Margaret Cho have to do “research” to critique Stefani’s blatant racism? People of color know that shit when we see it. There’s nothing more insidious than a white person asking people of color to “prove” or “research” their own oppression.

    The fact that Harajuku kids are part of Tokyo youth culture doesn’t give a white American celebrity license to exploit it. But it’s part of a long tradition in popular culture, ain’t it? Rock and roll, manga, hip-hop, fashion, cuisine—anything that can be sold, white capitalism wants to be in on. The bigger it gets, the more it stays the same.

  4. SolShine7 wrote:

    Rich people used buy Japanese paintings and put them on their walls. Now rich people buy Japanese people and parade them on tours. Three words: too much money.

  5. justin wrote:

    They should have made Gwen dissect the stereotypes involved in an imaginary hand job. I’m guessing that joke is only about how oblivious she is.
    ‘Harajuku kids’ are specifically a way of exoticising and commodifying that place. I don’t think they are different from anyone else in the international world of cosplay. Maybe I will go to the next comic book convention dressed Gwen Stefani to find out what its like to walk a mile in her shoes.

  6. Dawn wrote:

    That Margaret Cho! She’s such a rabble rouser! Why, saying Gwen Stefani is a racist for objectifying those women is like saying James Bond movies are racist when really those movies (as your blog astutely points out) are all about celebrating how SMART and SPECIAL and SEXY (which is totally positive so it can’t be racist!) and EVIL but in a really SMART, SPECIAL, SEXY way!
    /sarcasm mode off

    I remember a poem that was posted in the women’s studies department at my alma mater titled “Why Madonna and White People with Dreadlocks Deserve to Die” and I think if that wacky undergrad was writing such a poem today, she’d have to add Gwen to the mix.

  7. gatamala wrote:

    How is everybody else being racist????? Margaret Cho needs to do her research–because surely someone as well-known and well-traveled would have never heard of Harajuku. It just keeps getting worse!

    I do love ND (they are a hell of a BAND), but Gwennie has been jackin’ other people’s culture from jump. Bindis, chola make up weren’t enough…She’s gone out and bought her some “geishas”. She has effectively killed my respect for her. I wonder how the Japanese feel about this.

    I can’t believe these chicks would do this for money…. Oh wait a minute, let me do some research

    **clicks on BET.com** I wish this were a figment of my imagination.

  8. Marsha wrote:

    It doesn’t surprise me that Gwen doesn’t get it. She’s. like, not the sharpest tool in the tool shed, dude! However, I think that she’s not unlike most people in that she just thinks the things she wears are “cute”, “unique”, and “different”. She really doesn’t sit there and think that appropriating a different culture’s things might be disrespectful.

    This is a great article written by an Indian woman juxtaposing her experience with Gwen’s appropriation of Indian Style:

    http://www.makezine.org/indo.html

  9. dcase wrote:

    gatamala,

    LOL!

    Unfortunately for us all it is all too real.

  10. merq wrote:

    “Bindis, chola make up weren’t enough…She’s gone out and bought her some “geishas”.

    You forgot the wholesale jacking of Dancehall and Dub music by No Doubt.

  11. Gandalf Mantooth wrote:

    merq No Doubt was a pop oriented ska-punk band. Ska is from whence Dancehall came.

  12. merq wrote:

    Gandalf,

    yeah, I’m aware of ND’s pop-ska roots, but their Rock Steady album (while blessed with quite a few bright moments) felt like a major Dub ripoff.

    But then again, I could be wrong.

  13. erm...no doubt ??? wrote:

    actually 2 of the girls are actually from japan, and 2 from LA… and how is she a racist ? she likes japanese fashion, and everyone starts acusing her of keeping them as pets?

    if you want to talk to a celeb about keeping forriners as pets; go talk to madonna.

  14. Yori Kim wrote:

    *ahem* I do agree with your Maddonna statement “erm…no doubt???” but as an asian person myself(well, partially-I’mwhite jamiacian on my mom’s side and filipino-korean-japanese on my dad’s side), I don’t like seeing people (of ANY race) being showcased and yes I know that they agreed to the contract (were they can’t speak english in public) but still, its offensive because it reminds me of white supremacy in the old days, and I don’t like it at all, so I think you should go over what your saying instead of saying things without reason.

  15. Jay wrote:

    Why did everyone respect Gwen Stefani in the first place? I had always assumed she became the dull, art school dropout type she was because she never had the artistic talent or integrity to actually create admirable art in the first place. I mean, her music has generally been the primary tool she has used to express herself artistically and the only time I ever heard a song by her that I found mildly interesting it was because No Doubt was ripping off The Kinks virtually note for note anyway. I hate to belittle your very righteous ire. I am just confused that anyone respected her in the first place. I mean, at least once one grew out of being a fifteen year old suburban girl.

  16. SmartBlkWoman wrote:

    Gwen Stefani is the new Madonna. Just like Madonna used the gay club culture in the 90’s and folks were acting like she invented vogueing when in actuality gay club kids had been vogueing for years.

    Now we have Gwen Stefani using humans as art projects. The more things change the more they stay the same.

  17. Anonymous wrote:

    okay,,.

    again with these people who know nothing better to do than criticize..

    “Yeah, gee I wonder why people would view Japanese women as submissive, pliable creatures when Gwen Stefani is parading these four women around as dancing, giggling human props who are contractually obligated to only speak Japanese even though they’re all American. ”

    only one of them is American..
    the other 3 are actually japanese
    dumbass

  18. Amberly wrote:

    Gwen Stefani did do one thing…She mainstreamed Harajuku style. However, I thought slavery was abolished some time ago. Yes, I know she pays them. But she pays them to reinforce negative asian stereotypes. She would receive an even bigger backlash if were to parade black women around while they hold a parasole for her, or mexican women in somberos cleaning her house. I think it’s degrading to their culture.

  19. merq wrote:

    “only one of them is American..
    the other 3 are actually japanese
    dumbass “

    Yeah, you sure told her! Three of them are Japanese, so it’s totally okay to reduce them to giggling Lotus Blossom stereotypes.

  20. Aaron wrote:

    All the Harajuku are not all American!

    There is only one Harajuku Girl whose nationality is American. The rest of them were born in Japan and speaks dominantly Japanese.

    Do YOUR reasearch!

  21. yousername wrote:

    Aaron you just don’t get it sweetheart. You are so out of your depth *sigh*

  22. Joe wrote:

    Hold on, these Harajuku girls are BACKUP DANCERS. Since when do your backup dancers have to represent your exact culture? By these standards, she can only have a bunch of white girls following her around like pop-culture-crazed idiots “you got served”-ing each other in the background, and all her songs must be about rampant consumerism and the OC. Oh, and I’ve never heard ANY backup dancer say A WORD.

  23. P. wrote:

    I just re-read Cho’s blog regarding The Harajuku Girls, and I feel like it’s a smarter and more depressing response than it’s given credit for. First off, Cho seems to be pointing out that Stefani’s rather ugly cultural appropriation is itself symptomatic of how Asian identity gets represented in popular culture. Thus the comparisons with the history of blackface.

    Calling Stefani’s Harajuku Girls “art project” symptomatic doesn’t for a second let her off the hook. On the contrary it only points out that not only is her “art” racist, it is uncreative as well and vapid as well.

    Basically Stefani is another poster child for a certain kind of postmodern mindset in which supposedly race doesn’t matter -it can just be reduced to surface, drained of all historical context. Think SOPHIA COPPOLA’s “Lost in Translation”. (the arty version of orientalism). It is, of course, Stefani (and Coppola) who don’t do any research, thus reducing a culture and a subculture to a backdrop, an affectation.

  24. Hachi wrote:

    I fully respect japanese fashion as I am Asian but seriously.. parading around 4 Japanese girls, calling them Harajuku girls when one isn’t from Japan and the other three possibly aren’t from Tokyo, calling them art and having them standing behind her doing nothing but smiling as her backdrop while she talks a lot…
    I did listen to Gwen and her music when i was 11. But after all hearing Harajuku Girls (and seeing other people’s opinions) I got disgusted with her. Also, the clothes. I’m sick of what her “Harajuku Girls” wear because it stereotypes Japanese fashion. What they actually wear is very diverse and some girls actually *make* their own clothes. That is why the FRUiTS magazine is even published.

  25. Yvette wrote:

    hi well I would just like to respond to your last bit in the article that reads:
    “Yeah, gee I wonder why people would view Japanese women as submissive, pliable creatures when Gwen Stefani is parading these four women around as dancing, giggling human props who are contractually obligated to only speak Japanese even though they’re all American.”

    They are not all American. Three were recruited straight from Japan and only one is Japanese American.

  26. mary wrote:

    “Well, no one FORCED the girls to do it. It’s another example of self-stereotyping.”

    I am Asian and grew up in North America. Yes, none of “us” are forced to take roles that stereotype us into some geisha-esque image. However, there are VERY FEW other options out there. When I was working and auditioning, the ONLY roles I ever get called for try-outs were roles where 1) I had to speak with an Chinese/ Japanese/ Korean accent and 2) generally the role was that of a kinky mistress / message girl / Asia mofia related image.

    While we can choose not the take any of those roles, Asian often don’t EVER get a chance to audition for a main character because they are written for white people. If you were Asian and wanted to get into entertainment either you bite the bullent and take a typecast role or you don’t get to work. The only exception is maybe Sandra Oh and she became famous after playing an Asian stripper.

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