It’s bigger than hip-hop

by guest contributor Dumi, originally published at BlackatMichigan.com

nyoilI’m guilty of it. You’re probably guilty of it, you know, it usually goes something like this “I listen to hip-hop, not rap.” The distinction between hip-hop and rap is one that “heads” have been making for years. While there are number of nuanced arguments about Hip-Hop as a culture, the hip-hop versus rap dichotomy is outdated and useless.

So the gist of the argument is usually any commercial rap music is classified as “rap” and anything that may be underground or semi-authentic is “hip-hop.” The water usually gets murky when you ask about folks who have cross over appeal, but ya’ll know what I mean. I recently realized, I can no longer do this bullshit distinction between hip-hop and rap. First let me make it clear, I’m not saying that I can’t tell some difference between the two. This doesn’t mean that I don’t watch 106 and Park with a pain in my stomach. None of that changes, but my decision is one that is much like many disgruntled married couples, I can’t split (hip hop from rap)… because of the children.

When I first started spewing the distinction it was in cinder block dorm rooms, but now that I hear the argument I hear it on TV, on websites, in blogs. As someone who considers himself somewhat of a scholar of Hip-Hop, I can appreciate a theoretical distinction. But I’m trying to look at it from the bottom up, not top down. I really started thinking about this distinction when I was reading blac(k)ademic’s post on NYOil’s video “Ya’ll should all get lynched”.

Over at blac(k)ademic NYOIL’s video and comments have created quite a stir. In reading through I recalled that people like to distinguish between hip-hop and rap. As someone who consumes more hip-hop than rap, I can honestly say, they’re not all that different. Let me go through my issues Rolodex: misogyny – check, homophobia – check, violence – check, drugs – check (yes, weed counts), foul language – check, materialism – check (yo rapping about your sneakers counts too!).

So what’s the deal with pretending like hip hop music is the holy grail and rap is a red keg cup? Maybe I’ve just been reading into to it too much but so much of our quest for authenticity in Hip-Hop now is social class related. Do you think it’s a coincidence the only location you can still hear hip-hop on the airwaves is college radio or satellite radio? I remember a couple years ago hearing someone say, “Hip-Hop didn’t die, it just moved to Long Island and wears a backpack.” Let’s be real, if you’ve been to a hip-hop show anywhere in the US in the past 10 years you know like Common said, “When we perform it’s just coffee shop chicks and White dudes.” The quest for the latest hip-hop takes us to message boards, to overpriced coffee houses, and to Tuesday night performances at our local blind pigs. There’s something peculiar about that to me. If we’re so hip-hop and the music is the music of the people, why don’t I see my people in those spaces? Could it be that my people are in a different place?

At the opening of NYOIL’s video you see an image of Cam’ron. Now I will admit that I’m not a huge Cam’Ron fan, but I do listen to some of his stuff.

Aside – Want a fun game? Here it go! I try to see how many “Cam’Ron lines” I can make up using Ben and Jerry’s ice flavors- try it! Here’s a head start, “I was chilling with a married mocha honey, her man walked in, so I chubbied the hubby.”

Sorry, like I was saying, many hip-hop heads don’t really mess with Cam’Ron but you know who does? Black youth! Please just go up to Harlem and see if Dip Set isn’t an epidemic. See if they aren’t Chicken Noodle Soupin’, see if in Atl they’re not Snappin and getting Beamed up. My friends, the music that is reaching our kids is no longer Self-Destruction, it’s more Shake Sumthin’. If that is where youth are, if that is where the future is, if that is who is supposed to be affected by the Hip-Hop movement, that’s where I need to be, if I truly care.

Now being there doesn’t mean you have to support all that it is, but it’s foolish to hold onto something that is marginal and disconnected from our youth. Trust me, I feel like I’m part-time hip-hop librarian because I always have to go into the annals to find songs that concentrate on a single issue that I can use with youth on social issues. It means that we gotta meet Black youth where they are at and move them forward from there. It means talking to them about why NYOIL makes a song like this and then walking through the history of the figures he mentions, the history of lynching, and the histories of power. In that process you’re going to challenge whoever made the original song, but music is a gateway to our social world, not a perfect explanation.

We can take songs like this as an opportunity to reach more youth or we can continue to turn up our noses and say we listen to hip-hop and not rap. I think NYOIL understands something that KRS didn’t. I think Dead Prez understands something that PE didn’t. I think Little Brother understands something that you don’t. You can speak to people without preaching to them. That should have been the message we got from “The Message.” Instead, we’re left dropping crazy diatribes about neoliberalism to White kids in Schenectady. I think in 2006 we have to be ready to approach hip-hop and its potential differently than we have the past 10 years. Realize if Hip-Hop is the culture, the music that still gets to people is rap.

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Trackbacks & Pings

  1. In case you missed it… at Racialicious - the intersection of race and pop culture on 10 Nov 2006 at 11:34 pm

    [...] It’s bigger than hip hop: If we’re so hip-hop and the music is the music of the people, why don’t I see my people in those spaces? Could it be that my people are in a different place? [...]

Comments

  1. gatamala wrote:

    I can barely look at the TV & don’t even bother flipping the dial past NPR. I saw the x-ecutioners a few years ago and was in the minority. Either way you go, I’m not part of either crowd. Obviously you grow up, but I never thought I’d feel so alienated from something that meant so much.

    What breaks my heart is how inaccessible diverse music is to the masses. …I suspect that a large part of the problem is the change in the way we get music. Back when hiphop wasn’t so popular with the [other] masses, music was played on the radio – black radio. The djs played the music for the love of the music. Countd0wns were minimal if non-existent. There were no forced play lists. Radio stations were individually owned. The owners played anything. As the scene (& few, very few artists) made more $ it became the recording industry’s cash cow – & more people, with less (if any) interest in the culture became involved. These folks that became involved were saavy enough to extract the elements of the culture that made the most $: good beat & an “aggressive” package that taps into American rebelliousness via music. Whatever message was lost; the context ignored. If you combine the growth of the business (rap game) with the change in the ways the AVERAGE person gets music, you get a limited view of what the music has to offer. Where does the average youth, who does NOT have the latest gadgets, get music? The radio and TV. The larger corporations (Viacom, Clear Channel) own the labels, the radio stations, the cable channels and even the damn billboards. They do not have a financial incentive to market anything that they don’t produce. Whereas the average kid in the mid-late 80s could turn on the radio & hear all kinds of hiphop, today’s average kid will only hear carefully selected elements adjudged profitable. That’s what he will buy. It is extremely difficult for a now non-mainstream artist to break the market. Take the Lon gIsland backpacker (who probably wears horn-rimmed glasses ;) )…he has constant Internet access. He has sirius/xm. He lives in a neighborhood that has venues that will let someone perform. He goes to a school where some group can amass enough dues to pay Common to perform. He can afford the tickets. He has access to all kinds of music.

    “If that is where youth are, if that is where the future is, if that is who is supposed to be affected by the Hip-Hop movement, that’s where I need to be, if I truly care.”

    I agree that hip-hop, like American pop culture in general is primarily youth-motivated. However, I disagree that the hip hop is supposed to affect the young. I surely don’t believe that someone who cares must be steeped in today’s mainstream music!! Where does that leave the pioneers of hip hop – who are now in their 40s? They have no say in what THEY created? They have nothing to add culturally or musically? If THESE folks have no role, then the youth are in deep shit. What affects me deeply is how a culture of many types of rappers/mcs/djs/dancers/artists could be so narrowly defined by a few folks, who perform on each other’s records, produced by the same producer, have the same video, directed by the same director, who make clothing lines/drinks/snacks that are the same.

    I never really got what people meant by being preached at. Whoever did that? That always pops up when someone is told some hard, ugly truths about him/herself. I’m happy Dead Prez exists (no airplay) and love Little Brother (NC!), but how can PE & KRS/BDP be relegated to those who don’t/didn’t get it???????? They created it.

    “..but it’s foolish to hold onto something that is marginal and disconnected from our youth.”

    It’s foolish to let outside interests (corporate or backpacker type) co-opt hip hop. It’s foolish to let part of our musical heritage fall to the wayside b/c it doesn’t make a quick buck. It’s suicidal if we always have to come down to someone’s level instead of demanding that they step up. I read nubian’s post and watched NYOIL’s video. Great message, poor execution. I adamantly refuse to believe that the only way to reach the youth is through “bitches” and “faggots”. Who does not talk about bitches & faggots? Could NYOIL have taken the revolutionary step by not going that route? I will give youth more credit than that. If rampant misogyny & homophobia are the only ways the youth can comprehend or communicate a message w/a beat, then WE (30s – 40s) messed up big time.

  2. Gandalf Mantooth wrote:

    Ugh. A discussion like this broke out at Jay’s place sometime ago. Why all the revisionism now? There is no need for all the hand ringing. Rap describes the music, hip hop describes the culture. That’s well accepted by enough people that we don’t have to haggle this hip hop vs rap debate every two months. Once you accept that, you don’t have to concern yourself with which is better, and can have a more cogent discussion on what’s going on within rap music and hip hop culture.

    Jay made the same argument as you do here vis a vis reaching the youth. If you have to talk about “reaching the youth” via rap music you’re already behind. It’s a youth driven culture, and to that extend, those of us who are not youth are meant to be excluded. It’s the nature of cultural movements. The Game has a diss line about being 38 years old and still rapping (L.L. I guess). I don’t necessarily agree, but I understand.

    “Self-Destruction” didn’t really reach that many people. That’s part of the whole “rap (hip hop for you who make the distinction) used to be a social force, now it’s all about (dip set, hyphy, crunk, whatever). There were a couple of short periods, mid 80’s, mid 90’s, where we had a lot of rap addressing social issues, or being so called conscious rap. The majority of the music produced has been party music, the way it started out. So there isn’t any time where everyone was listening to Kris Parker and Mos Def. I mean, some stuff gets stuck with the tag “underground” for a reason. When PE was kicking it, who was the best selling rapper? Hammer.

    What I like least about this line of thought is that to be critical of “rap” (here meaning whatever it is you don’t consider hip hop) is to somehow be aligned with Cosby. We can stand outside and make statements about the music and the direction it’s taking the culture.

    NYoil, he wasn’t just trying to “reach the youth” by using negative language. I don’t think it was that calculating, and a deconstructionist view of the song misses what he did. He suggests, using his own manner of MCing, that the people he’s critical of may well have a different view of how to represent if they experience what Black people experienced in the past, lynching, slavery, rape by slave masters, police brutality.

    Also, on the comments about Common, I just reviewed his show with Ludacris for XXL. I guess he got tired of playing the coffee shops. Thing is, most of the large audience was White, still. It’s the same for Ying Yang Twins or KRS-One. That’s just how things are now. Thanks, Hammer.

  3. Dumi wrote:

    So when I use the big H in Hip-Hop I’m referring to the culture. I’m arguing that the distinction between hip-hop and rap (forms of music) hold litttle utility.

    I said that KRS and PE didn’t get it because they were popular but effectively marginalized themself by centering solely on a message that folks had to “get with” or “quit it.” I said DP and LB got it because they realize critique of the social world is often best served with a doses of all the other themes that folks who consume hip hop/rap like. That’s why DPZ cut the locks, that’s why LB named their Album the Minstrel Show. It’s an evolution of the approach that KRS and PE birthed.

    Hip-Hop is a culture that is becoming as diverse as Jazz. It’s for the young and the old, we just have to realize as we get older that we have to recognize that younger folks are still confronting the issues we confronted and loving the music like we did, it just looks different. I feel you on the reduced range of music available.

    I don’t think NYOIL explicitly made the decision to “reach the youth” with his language. I simply think his language did/does reach the youth. I don’t approve of a lot of his language, but that is where my preferences come in.

    Thanks for you thoughtful comments, sorry it took me so long to get back her and post something.

  4. LM wrote:

    Dumi,

    This is way late…

    Nice piece.