Open Thread: Does the Celebrity Doppelganger Facebook Meme leave out POCs?

By Deputy Editor Thea Lim

Over at Sepia Mutiny, Anna writes about the fact that the new Facebook trend of replacing your profile pic with a photo of the celebrity who looks most like you poses a unique problem for some people of colour. She quotes from a number of friends who couldn’t find a celeb that looked like them:

“I’ve noticed that most of my friends of South Asian descent have changed theirs to Kal Penn when they don’t resemble him in the least… “all look same” syndrome, perhaps? :(

“I’m only half-brown, and I hate that my doppelganger is white. I feel like I’m insulting my Dad with that picture. I’m not just white, even if I look it. I’m Indian, too!”

“I don’t look like Apu or that girl from the “Office”, so I guess I can’t play. Bummer.”

“I know I do not resemble anyone in the small group of desi celebs familiar to most Americans (e.g. Mindy Kaling, Padma Lakshmi, etc.). I couldn’t instantly think of a Latina/Persian/Arab/other brown-skinned celeb familiar to most Americans that I might resemble. (This is a small pool too! How many can you think of? The Kardashians don’t count ;) ! Therefore, the number of potential possibilities seemed much larger in celebs more famous in South Asia than in the US. “

Personally I put up a picture of Pee Wee Herman. Unless it is hidden somewhere on his Wikipedia profile that he has some Chinese or Anglo-Irish heritage, I believe we don’t have any ethnic commonality.

Anyone else struggling to take part in the celeb doppelganger meme?

links for 2010-02-09

  • "But now a Jewish D.J. in Brooklyn finds himself defending his right to market what he calls an 'Israeli remix of the keffiyeh,' featuring the Star of David.

    "An article last week in the Abu Dhabi newspaper The National compared the effort by Jewish hipsters like Erez Safar to claim the keffiyeh for themselves as just the latest in a series of battles over symbols of Middle Eastern culture whose appropriation by Israelis has enraged Arabs."

  • "The billboards — there are 65 now and will eventually be 80, Ms. Davis said — were created in conjunction with a new Web site, www.toomanyaborted.com, which says that all of Georgia’s abortion clinics are in “urban areas where blacks reside.” The Web site connects abortion to segregation, saying that after the civil rights era, racists went “underground,” and that today “abortion is the tool they use to stealthily target blacks for extermination.”
  • "But now I think maybe Black stars should help African-American women release the hold that blond hair has had on us. It's not a natural hair color. It's not really a good look if you're over 30. It's not particularly healthy for your hair. We don't need the woes that blond hair brings. Black women, let's do something different."
  • "Has anyone else noticed that a staple of many a vegan cookbook is a recipe for African Peanut Stew or African Yam Stew or something similar? I’ve also seen (though less frequently) recipes for, say, Asian-Style Tofu or whatever. I cannot recall ever seeing a cookbook featuring anything like European Bean Soup. Is it because to most vegan cookbook authors/food bloggers, it would be preposterous to assume that there is anything universal or overarching about the many countries that make up Europe, or their cuisines? And yet we don’t often see the same distinction granted to countries in Africa."
  • "To be gay and Muslim, at times, people will say that it is an oxymoron. But in actuality, it’s a formulation that shows the diversity within Islam; that people can be a variety of backgrounds. The Quran says to look to the nature of the world. And from that, you can see the diversity and understand that Allah’s understanding of the world and the universe in which he created is full of diversity; but you find the oneness, the tauheed unification of all, through those various diverse aspects.”
  • "I know that there are folks from all ethnicities who will be troubled by Scott Fujita claiming a Japanese American identity. But take a step back and think about the radical potential of not just what his adoption shows but why he identifies as he does. His adoption of a Japanese American identity isn't just about eating white rice (as he says in the above video) or about having Asian aesthetic objects in his home (as this ESPN piece was surprised that he doesn't, until getting to his home office and seeing a large sculpture). Scott Fujita's adoption of a Japanese American identity seems as much rooted in a history of social justice causes as a celebration of culture, born out of his deep love and connection with his family."
  • "Unfortunately, the civil rights movement has often lagged on the question of women’s equality even as it has led the nation on matters of race. Much of the blame for this must be borne by the religious institutions that have played a predominant role in the struggle for racial justice. Until recently, most black churches refused to grant women leadership roles, depriving them of the platform that so many black men have used to rally followers and challenge injustice."

Confusion in the Come-on: Racial Assumptions in Random Places

confusion-newby Special Correspondent Wendi Muse

From the annoying “hey shorty” and vulgar comments about my pouty lips to the more polite “Good morning, beautiful,” catcalls are a nuisance. Much like stereotypes, even the so-called “positive” ones can be frustrating and equally as demeaning as they reduce one’s existence solely to the physical. In addition, they remind those on the receiving end of the comments or calls that they are there for the speaker’s visual—and in some extremes, physical— indulgence. Despite whatever clever or biting retort the receiver of the comments or calls may deliver, the person is still only reacting, not having delivered the initial blow that can have long term effects on one who is often subjected to engaging in such an unwarranted exchange of words.

Yet beyond catcalls and more public displays of adoration, there is the party approach. More intimate and certainly holding more potential, being approached at a party makes the stakes go up a bit. The possibility of seeing this person again or something real developing from a conversation, even if it just means a good friendship, is far more likely in this case than in an exchange with some stranger on the corner or someone ogling you on the train.

The negative side of this is that in the development that comes from this closer contact, there’s also more of a likelihood for things to get deeper in a way that far less enjoyable. One of those uncomfortable topics for me is race.

I’ve written about this before— from being mistaken for other ethnic or racial groups to being mislabeled and forced to defend my own heritage both here and in other countries. In other words, it happens a lot. Questions like “What are you?” “Are you certain you’re not____?” and “Are you part______?” come up all the time, contingent on little phenotypic changes like my hair, my skin color, and facial features to even more superficial things like my makeup choices, my accessories, and my outfit. Going further, however, even things like my speech pattern, education level, and group of friends can contribute to the outside world’s determination of which ethnic/racial group(s) I belong for the day. As frustrating as this may be, it’s telling of something that extends far beyond a mistaken identity. It’s also a testament to the changing way we determine racial groupings in this country—particularly in ways we often attribute to other countries but rarely give thought to our having used in our own.

At a show/party I attended recently, someone used the ambiguous race topic as a segue into a compliment of sorts, if you want to call it that at all. After jokingly pointing out that I was the only black chick and one of the few black people at the party, noting that the exceptions were the bouncers and one of the performers, the person to whom I was speaking looked at me and said, “What? There is NO WAY you are all black! I mean, look at you.” And then went on to tell me how I pretty I was, not recognizing that following a comment on how I don’t look all black with a comment on my level of attractiveness was a little . . . poorly timed?

I often give people the benefit of the doubt, and I did in this case as well, recognizing that sometimes people don’t realize what they’re saying until after it has already come spewing from their mouths, now impossible to return to its rightful owner. I made my usual joke about being the end result of a long line of folks who fell under the category of “slavery era remix” (my nice way of hinting at plantation rape without all the historical baggage) in order to let my social suitor off the hook, knowing that if this didn’t happen ALL THE TIME I’d have been ill-prepared.

While there is certainly privilege that comes with looking a certain way and falling a certain place on the color spectrum between white and black, including but not limited to greater social acceptance, coming closer to the ideal standard of beauty, and even subsequent socio-economic benefits, these types of interactions make me wish that my place on race line were a little bit more defined in a visual sense. All the questions and classification guessing games get old. The reality is that despite being classified (and usually self-identifying) as black, many people of African descent living in the United States who possess lighter skin tones and features that veer closer to whiteness have historically been afforded greater opportunities and more of a chance at social mobility. This privilege has had its limits of course, but it does exist in ways we sometimes forget because we use “black” as such a blanket term, allowing for little statistical differentiation and thus analysis of the variance of opportunities between the subcategories among black Americans.

What also puzzles yet fascinates me is that the way people read my race is how much of a role class, education levels, and other signs of assimilation or association with whiteness, if you will, factor into my “not possibly being all black.” I wonder if my accent more easily offered to the listener my location of origin or fit into a stereotype of what black people supposedly all sounded like, would my race then be easier to determine (at least once I opened my mouth)? Or if I remained silent and dressed a certain way—less “hipster” and more “hood”— would I then all of a sudden gain more “black” points?

This issue has been drawn into the national forefront countless times with comments surrounding Obama’s success and its connection to his ability to string together potent sentences (wait, an articulate person of African descent, you say? GASP). Certainly, being well-spoken helps win an election, but so do many other factors, like personality (George W. Bush being a perfect example here—not well-spoken, but seemingly someone with whom you could go out for beers after work and catch a football game).  While such comments are overly simplistic and insulting, they point toward the greater issue of life opportunities and factors that have little to no relation to appearance lending themselves to an interpretation of one’s racial and/or ethnic background (many of those who hint that Obama’s success is assimilation-based are also quick to point out that his claim to “blackness” is empty as his mother is white).

We often attribute this social practice of whitening someone on the basis of his or her educational or class background, romantic partner, or occupation to nations that have long acknowledged their multiracial heritage (though with a clear preference for whiteness) for the sake of promoting national unity. The most notable examples considered in these discussions on racial classification beyond the United States deal with those that are closest—the countries of Latin America and the Caribbean. However, this practice is one I have witnessed people in the United States utilizing more frequently in recent years, especially in their interactions with multiracial people and/or people who may identify as “monoracial” (for political purposes or otherwise) who do not necessarily fit the physical and personality-based stereotypes and expectations the observer may hold.

I find it to be a humorous phenomenon, particularly considering that where I grew up and within my family and many others, people who share an appearance similar to mine are rarely assumed to be far beyond whatever their monoracial category would be (in my case, black) simply because there is not enough racial and ethnic diversity in the area to assume anything otherwise. The human mind, in its attempt to categorize, to box, to create a neat space for a clear answer to its inquiries, is far simpler than it seems. People in the United States do not yet seem fully able to account for all those spaces of ambiguity without attempting to exoticize them. And on the opposite end, there is an equally limited ability to process information beyond the norm, the ready-made categories, even if said information may fit rightfully there (i.e. someone can identify as a member of one specific racial group while possessing a phenotype generally associated with another—an aspect of self-identification that seems to always be forgotten).

I wait in anticipation for a time when there is be adequate space for us to discuss the lines that are not so clearly drawn, the areas of identity that exist in boxes of dotted lines. Beyond discussion, I look forward to a societal realization that the racialized world in which we seem to be stuck—one that is constructed for us, by us, and that we accept and then go on to apply to others—is fabricated. Just as the guy from the party’s comment was rife with ignorance, then so too is our society’s relentless reliance on stereotypical physical traits and behavioral characteristics to pinpoint race. And as our population grows increasingly more diverse (and that diversity is to be accounted for in better ways during this year’s census), hopefully our society will learn to make more room for the otherness that doesn’t quite fit its expectations without accounting for it by way of racist assumptions on beauty, class, education levels, and other more superficial characteristics.

Chain Reaction: Questlove and the NBC Cafeteria Menu

NBC 2

By Special Correspondent Arturo R. García

Hmm HR?
- caption for this image, as posted by Questlove, drummer for The Roots, on Twitpic, Feb. 5

When i saw the sign i have to admit….i was DYING. like literally LMAO!!! maybe it was juxtaposition of the words: collard & history, jalapeno & honor, fried, black and nbc?? maybe it was the acculturative stress of having 28 days for this food that represents you but come march…pot roast for life kid!

Whatever the case, I found this funny and when I find something funny I like to let the world in on the joke (twitpic anyone??). in NO way did i ever think that this was some cruel insensitive joke on behalf of jeff zucker and his comrades at nbc (the cafeteria isn’t even owned or operated by nbc).

I kinda get where leslie calhoun (our culinary rosa parks) was coming from; fried chicken as a fragrant, tasty, honorable metaphor for the struggles and accomplishments of america’s black masses.

The problem is..in the blogosphere, things can take on a life of their own….. my twitpic was just me poking fun, a Questlove still life that was clearly intended as a joke. What’s even funnier: race issues in post racial America. Potluck anyone?????
- Questlove, as quoted in a release, Feb. 7

Actually, a bigger problem in just about any online forum isn’t taking things out of context – it’s not giving them one to begin with. With just a few more tweets, Quest might have been able to save his network and a well-intentioned woman a lot of grief.

To recap the saga: the image going up Friday afternoon stirred up even more bad buzz for NBC, which already showed a clumsy hand in the Jay Leno/ Conan O’Brien debacle. And as far as diversity issues … well, we’ve talked about Heroes enough on this site.

But it turned out the source of the menu was a black woman: chef Leslie Calhoun said she had been pushing to serve these dishes for years as part of a weekly special during February. According to The New York Post, her menu was approved and served without incident last year. Enter Questlove. As Calhoun told The Post:

“Questlove, who I serve every day and who enjoys my food, requested the neck bone [cooked in] the black-eyed peas and fried chicken, then got off the line, saying, ‘This is racist.’ The next thing you know, people were taking pictures of the sign and asking all the other black people in the cafeteria if this was racist. They said that it wasn’t.”

That quote isn’t included in The Post’s video for the story, but her reaction doesn’t seem to match up with the joking tone Quest presents in his statement. Nor did this post from him, issued shortly after the image went up:

i think i need a twitter break. i done started something. and now i must put out fire.

And this is where Quest lost his chance to set the record straight: At no point in his twitter feed – before or after posting the picture – does he mention that Calhoun is black, that the menu was her idea, or that it had already been well-received by other patrons.

They might not have stopped the image from generating discussion, but as The R’s Andrea Plaid pointed out when she sent me the link to The Post’s story, those facts could have led to some more well-rounded discussions:

* Could Calhoun have thought of something else besides fried chicken and greens to commemorate Black History Month?
* Has Questlove considered from whom in the blogosphere the criticism came?
* Does he himself really believe in “post-racial” America?

Discussing any of these questions, one would think, would be preferable to speculation about a joke that, at the time, only Quest was in on. So at that point, that lack of context or people “not getting it” is his bad. Twitter might be fun, but if you tweet the punchline without the set-up, the LOLZ end up on you.

Or, in Quest’s case, on the people who air his band’s show; NBC moved quickly to remove the sign as debate picked up during Quest’s “break,” but still couldn’t save itself from becoming a punchline: on The Jay Leno Show, Wanda Sykes said, “That’s how [NBC] celebrates. Oh, no, no, ya’ll don’t need to know about Harriet Tubman and Frederick Douglass. Here’s some fried chicken.”

At least the story has a happy ending, as Quest also documented: he gave Calhoun a spa certificate and flowers for her trouble. And, presumably, everyone can eat lunch safely at NBC again. Unless Leno decides he wants the cafeteria, too.

Quest2

Watch “ColorLines: Race and Economic Recovery,” Only on LinkTV

By Guest Contributor Seth Wessel, originally posted at RaceWire

President Obama says the stimulus saved or created 2 million jobs in 2009. But is the recovery really working? The American dream of good jobs and strong communities is still just a dream for too many. The unfair economy hurts certain groups more, and that ends up hurting everyone. From the bottom line to the unemployment line to the color line, watch a new in-depth program from Link TV and Applied Research Center for a closer look — ColorLines: Race and Economic Recovery.

Tune in to Link TV Friday, February 12, for ColorLines: Race and Economic Recovery on DIRECTV Channel 375 or DISH Network Channel 9410 at 6:30pm Pacific, 7:30pm Central and 8:30 pm Eastern. After the show, join us on Twitter @racialjustice, as we host a roundtable discussion on what we’ve seen.

ColorLines: Race and Economic Recovery follows communities making ends meet in The Great Recession. The program narrates the moving story of Tisha, mother of three in Connecticut, facing a social safety net shredded further by the crisis. Then the program goes to Los Angeles, where community-based organization SCOPE has mobilized to win green jobs for communities of color.

This half-hour magazine-style show is hosted by Chris Rabb, Founder of www.afro-netizen.com and Author of forthcoming book “Invisible Capital: How Unseen Forces Shape Entrepreneurial Opportunity.”

The in-studio guest is Tram Nguyen, journalist who has written extensively on racial justice issues and Author of “We Are All Suspects Now: Untold Stories from Immigrant America After 9/11.” Tram is former Editor of ColorLines Magazine and now works at the California Reinvestment Coalition.

links for 2010-02-08

  • "The struggle to create a Sikh homeland began as early as the 1947 Partition of India, but gained strong support during the 1970-80's as political activists pushed the Indian government towards recognition. With the rise of digital communication technology like the Internet – and now social media – Khalistan's fight expanded onto a worldwide stage. Early Sikh militancy fizzled in favor of the new concept of a "virtual Khalistan," to the point where Khalistan now exists more as an idea than a set of distinct territorial claims."
  • "One of the most incredible things about Bob was his prescience. His lyrics spoke about issues that are tragically timeless — poverty, struggle, hunger, and pain. Not being able to pay your bills. Not being able to feed your kids. And while singing
    about that, he sang about revolution, self motivation, and rising above that which angers you. "
  • "A legal group filed a federal civil-rights complaint against the Philadelphia schools yesterday, claiming the district discriminated against Asian students at South Philadelphia High School.

    The complaint, lodged with the Justice Department by the Asian American Legal Defense and Education Fund, claims the district acted with "deliberate indifference" to the harassment of Asian students and with "intentional disregard" of their welfare."

  • Lil Wayne was vocal about how humbled and honored he was to be taking over folk icon Bob Dylan's part on Monday night's remake of "We Are the World." But at the end of his soft-spoken comments to reporters during the recording session, the New Orleans-bred rapper added one more thought that instantly sent a buzz through the room.

    "I think it's amazing what's been done for Haiti," Wayne said…then he added, "But I also think it's amazing what hasn't been done for New Orleans."

General Larry Platt’s “Pants on the Ground” and the Intersection of Race and Comedy

In the middle of January, American Idol scored a huge ratings win when they decided to air a tryout clip of an elderly black man named General Larry Platt, singing his original composition “Pants on the Ground.” The song took off and is now a part of American pop culture…at least for the next few months.

The first time I saw the clip I couldn’t help but feel torn. I felt joke discomfort: the uneasiness I often get when someone makes a joke that I sense is not quite right, yet I still feel like laughing. “Pants on the Ground” does seem inherently absurd and there is something really adorable about Platt. Yet how should we feel about the way American Idol used his clip? Does it encourage us to laugh with Larry Platt? After watching several different Platt appearances, I’m still not sure if Platt is funny because he’s trying to be, or just by accident. If we’re laughing at Platt instead of with him, how much of this is about race?

Reader Gavin Jones sent us an email about Platt, lamenting the way Platt was the butt of jokes on Youtube and the late-night show circuit. Gavin says

It just seems like we live in a Bizzaro world where the more virtuous artists are fake blonds, singers whose subjects are ultimately selfish, and Soulja Boy types, and someone like Larry Platt is somehow not legitimate. Simon Cowell said he had a ’sinking feeling it would be a hit’. Mary J. Blige couldn’t stop laughing DURING his audition. I wonder how her (and all of our lives) would be different if he didn’t exist. SOMEONE, ANYONE should mention some of this after one of those clips or in some commentary.

In a greater sense I wonder how much this has to do with race. Obviously there’s no immediate way to quantify that but it’s curious that of all the thousands of applicants to American Idol over the years, the only objects of ridicule are William Hung and Larry Platt.

What rankled Gavin is particular is that Platt is actually a hero in Atlanta, thanks to the work he’s done for the civil rights movement. From Yahoo:

But Platt is not just some William Hungian TV clown angling for 15 minutes of YouTube fame. His real legacy in fact extends all the way back to the ’60s, when he was a teenage crusader for the Civil Rights Movement in Georgia…The man was even honored with his own holiday in Atlanta, Larry Platt Day, on September 4, 2001, for his “priceless and immeasurable contributions to society” and “his great energy and commitment to equality and the protection of the innocent and for his outstanding service to the Atlanta community and the citizens of Georgia.”

On that fateful day, the Georgia General Assembly declared: “For the past 40 years, Larry Platt has given of himself in service to the people of the City of Atlanta, the State of Georgia, and the nation…Larry Platt merits the highest recognition for his many valuable contributions to the Civil Rights Movement and his dedication to the struggle for equality and human rights.”

Continue Reading »

Hunting BET’s Black Panther

blackpanther1
by Special Correspondent Arturo R. García

Awhile back, Ghetto Manga reported that the Black Panther animated series, long in development for BET, had finally aired … but in Australia.

Awesome, I thought. And sure enough, ABC3, the Australian Broadcast Company’s kiddie channel, has Black Panther listed on its’ website. Surely BET would be happy to follow up on this, right?

Not quite. Instead, over the past two weeks, calls to both the media affairs and programming offices in both D.C. and Los Angeles either were not returned, or passed around to various names in both departments. In one instance, someone in the D.C. media relations dept. said the initial report was incorrect because BET didn’t air in Australia. In the meantime, if any of our Aussie readers have caught the show – Hexy, are you there? – please feel free to send us a review.

Open Thread: Helping Magazines That Get It

giant robot 1
By Special Correspondent Arturo R. García

In the wake of the Reggie Bush controversy and this month’s Vanity FAIL, it’s worth spreading the word that magazines like Giant Robot & Hyphen are still in need of aid in order to stay afloat. As Jessica Lum notes::

Many of the organizations that were started to reach out, broadcast, and appreciate the amazing work of Asians and Asian Americans (or Asian Canadians, Asian Brazilians, etc.) are struggling under the financial burdens of the economic environment, especially in the journalism and print media industry.

So, while encouraging you to help those magazines out, I ask: what culture mags – Asian or otherwise – are you reading these days? What should we be reading?

links for 2010-02-05

  • "But what if – I started thinking – what if Trudy were the main character?

    As a Latina, her joining forces with the Na’vi would be an exciting act of solidarity. She would come to see that those who would colonize Pandora are the same as those who had colonized her ancestors. And she would hop on Toruk, the wild and ferocious dragon-like creature, and fly off to defeat the colonizers once and for all."

  • "The problematic element for me was the generic country, which I thought fit too neatly into uncomplicated Western ideas of an unstable African nation. The script’s use of details picked from various African conflicts (ethnic violence, an uprising “in the south,” genocide perpetrated against a once-powerful ethnic minority that sounded an awful lot like “Tutsi,” child soldiers abducted, drugged and forced to commit atrocities, a charismatic and ruthless leader, etc.) and lumping of them into one generic African genocide seemed to play on the audience’s expectations about the Bad Things that happen in Africa. The conflation of conflicts separated by decades and thousands of miles undermined the unique horror of the real conflicts. And it erroneously suggested that those conflicts were interchangeable, apparently bound together by some vague tie of “Africanness.”"
  • "The same report notes people can be discharged under DADT even if they are not gay or lesbian, apparently there are cases where men have accused women who refuse unwanted sexual advances of being lesbians, or because the women are successful and some men do not want to serve under them. "
  • “I haven’t had a moment to figure out which Bolly-celeb I look like. (I didn’t even consider finding a mainstream/Hollywood celeb.)”

    “I know I do not resemble anyone in the small group of desi celebs familiar to most Americans (e.g. Mindy Kaling, Padma Lakshmi, etc.). I couldn’t instantly think of a Latina/Persian/Arab/other brown-skinned celeb familiar to most Americans that I might resemble. (This is a small pool too! How many can you think of? The Kardashians don’t count ;) ! Therefore, the number of potential possibilities seemed much larger in celebs more famous in South Asia than in the US. “

    “Racially ambiguous looking, that’s my excuse. My growing list of what people think I am: Latina (but depending on my shade at the time anything from Argentine to Mexican), Native American, Filipina, Mongolian, Greek, Spanish, Italian, Turk, Arab, Chinese… “

  • "In the 21st century, access to cheap, ubiquitous broadband is as essential to economic development as paved streets and roads. Medical services, governmental operations, business and job development, distance education and services we can only imagine will be delivered via broadband internet networks. Those communities that have them will get ahead. Those denied by the digital-divide business models of the cable and phone companies will fall further behind."
  • "Colin Powell has decided that it is time for the archaic “Don’t Ask Don’t Tell” policy to be ended, was indeed a very pleasant surprise. This is considering that Powell, a Conservative, was previously one of the strongest supporters of the notion that gays and lesbians should not be allowed to serve openly in the military. Today, Powell publicly admitted to changing his mind…"

Race & Comics Roundup: Archie’s Romance, Milestone’s Return & The Great Ten

Archie1

By Special Correspondent Arturo R. García

Chris Sims at The Comic Alliance highlighted the cover to Archie #608, which points in the direction of a decidedly different type of crossover between Archie and his gang and Josie & The Pussycats – specifically, the eponymous Mr. Andrews and Valerie, so uh, memorably played by Rosario Dawson in the 2001 Josie live-action film.

As Sims points out via a column by former Milestone Comics editor-in-chief Dwayne McDuffie, this isn’t the first time a member of the Archie creative team has tried to introduce an inter-racial romance to the staid Riverdale scene, only the first successful attempt. In 1992, McDuffie says, Betty & Me writer Matt Wayne wanted to give Betty Cooper a beau of her own to give Archie some competition for her affection (a twist on Betty and Veronica’s never-ending battle for Archie’s heart).

Wayne’s candidate was to be college freshman Dexter Howard, a young black co-worker of Betty’s. As another twist, Dexter wasn’t going to be a “bad guy,” but would instead befriend Archie despite their competing interest in Betty. Unfortunately, McDuffie says, the idea never got off the ground, as Wayne’s editor, Daryl Edelman, had the story soundly rejected by one of Edelman’s superiors:

[Edelman's superior] hated the stuff, wanting to know why Dexter was so much more accomplished than Archie, “What is he, super-Negro?” (at least, “Negro” is what everyone who told me this story reported him as saying. I have a sneaking suspicion that they were trying to save my feelings). Darryl was very upset and told off his boss, but to no avail. He was ordered to change the story in the cheapest way possible: Dexter was to be re-colored white. Unfortunately, this fooled approximately no one. Archie’s offices were flooded with four or five letters congratulating them on their progressive move of adding that “cool, black guy” to Betty’s cast. Uh oh.

Wayne was subsequently fired after only two issues. Continue Reading »

Mixed Roots Film & Literary Festival 2010 Now Accepting Submissions

We were excited to get this announcement from the Mixed Race Film & Literary Festival in the Racialicious mailbox:

The 3rd Annual Mixed Roots Film & Literary Festival will take place at the Japanese American National Museum, 369 East 1st Street, June 12-13, 2010, in downtown Los Angeles.

The Festival is currently accepting film, literary, performance, and workshop submissions.

The Mixed Roots Film & Literary Festival, a fiscally sponsored project of the New York Foundation for the Arts, is gearing up once again to celebrate the storytelling of the Mixed racial and cultural experience, from interracial and intercultural relationships, to transracial and transcultural adoptions, and, anyone who identifies as having a biracial, multiracial, Hapa or Mixed identity.

In the last two years, the Festival has showcased many talented filmmakers, writers, and performers including Rebecca Walker, Kip Fulbeck, Danzy Senna, Angela Nissel, Sundee Frasier, Karyn Parsons and many more.

The 2010 Festival will bring together innovative artists, film and book lovers, multiracial individuals and families for two days of writing and film workshops, readings, film screenings, and live performances. Events are free and open to the public.

The call for submissions for films, workshops and readings and performances by writers, actors, comedians and musicians is open now until March 1. There is no submission fee. However, entries received after March 1 and by March 20 MUST pay a $50 late entry fee. No entries will be accepted after March 20. For specific submission requirements and festival information visit: http://www.mxroots.org.

Putting the “Fair” in Vanity Fair: VF’s 2010 New Hollywood Issue is Lilywhite

By Deputy Editor Thea Lim


Reader Sanni sent us a link to this article by Joanna Douglas, “Vanity Fair’s “New Hollywood” issue completely lacks diversity“:

While we’d like to think celeb bible Vanity Fair puts a great deal of thought and planning into its annual “New Hollywood” issue, this year the editors really limited their scope when it came to choosing the next big stars. (Or perhaps they overemphasized the “Fair”? ) Every woman on its new cover is extremely thin and very, very white. Unless Vanity Fair considers one redhead to be diversity, we feel the need to cry foul.

Surprising? No. Depressing? Yes.

Douglas makes the excellent point there’s no lack of rising stars of colour for VF to choose from:

We can think of a slew of non-white, non-rail thin actors who made a splash this year (Gabourey Sidibe from “Precious” anyone?). In the accompanying article, Vanity Fair writer Evgenia Peretz calls out the young cover stars by their best attributes: “downy-soft cheeks,” “button nose,” “patrician looks and celebrated pedigree,” “dewy, wide-eyed loveliness,” “Ivory-soap-girl features.” Roles for black, Asian, and Latin actors are scarce in Hollywood, but surely Sidibe, Zoe Saldana of “Avatar” and “Star Trek,” and Freida Pinto of “Slumdog Millionaire” are having their moment.

Sigh.

links for 2010-02-04

  • "Jenn F. found herself faced with a 'Lucky Taco' at the end of her meal at a Mexican restaurant. It contained the following text: 'Paco says, ‘A bird in hand can be very messy.’”

    "Is this is an appropriation of another culture? A cruel parody of an authentic tradition? An offensive stereotype to begin with that is no less offensive when re-racialized? Or something else?"

  • "She added: ‘This is completely my design. I just sketched it out. The whole idea is just about the illusion that I’m wearing a deep V-neck. Then the idea was to wear shorts that were like the same colour as my skin. It works very well, apparently.'

    "The extra attention did nothing to distract the American from her third round match against Australian Casey Dellacqua, which she won comfortably in two sets."

  • "Even in bankruptcy, the quarterback remains a valuable commodity; for many, his redemption will be strictly a matter of his playing football well. And if he doesn't, well, at least he won't be shot, drowned or hanged for it."
  • “For the last five decades the Starlite Lounge has been a safe haven to members of our community and a space of significant historical relevance for New York City residents. This incredible run in Crown Heights is now being threatened as Starlite was served with eviction papers last week without being given an opportunity to negotiate with the building’s owners. The proposed closing has brought people together to fight against this unfair eviction of an openly gay-friendly establishment in the heart of Brooklyn.”
  • "And while the Americans said they did not intend to offer the children for adoption, the Web site for their orphanage makes clear that they intended to do so."
  • "This exhibition, guest curated by Dexter Wimberly, will examine how urban planning, eminent domain, and real estate development are affecting Brooklyn’s communities and how residents throughout the borough are responding. The exhibition will include the works of several Brooklyn-based artists, as well as those who have been forced to relocate as a result of gentrification. In addition to works of art featured at MoCADA, there will be a schedule of public programs taking place throughout Brooklyn."
  • "Islande Normil, 31, said that five years ago she gave her two eldest — Ronason and Jameson, now 12 and 10 — to an adoption agency and that she assumes they are both in the United States. Another child, a 10-year-old girl, is in an orphanage in Haiti, she said, awaiting parents who may want her in another country. Normil is left with a 3-year-old girl, who rocked in her arms as she talked to a foreign visitor.

    "Some people blame me for what I did — that I gave them away," she explained. "But I gave them a better life."

  • "The demented doctor covered every one of the book's 180 pages, interspersing his thoughts on everything from art, literature, religion, modernity, German history and women's rights to predictions for the future of mankind. The themes which obsessed him in life – eugenics, natural selection and the recurring concept of loyalty – fill the pages."
  • "The American missionaries seem to have assumed that they knew how to care for Haitian children better than the Haitian government or even their own families. And while, as Smolin says, the people of Haiti do need our help, that help shouldn't come in the form of lies and law-breaking. Silsby and her group have illustrated the worst possible model of international aid, in which rather than listening to what suffering people need, outsiders make decisions for them."
  • "Tech-savvy gangsters have long been at home in chatrooms and on Web sites like MySpace, but they appear to be gravitating toward Twitter and Facebook, where they can make threats, boast about crimes, share intelligence on rivals and network with people across the country. "We are seeing a lot more of it," Johnston said. "They will even go out and brag about doing shootings."

Why Date or Marry Asian Women?

By Deputy Editor Thea Lim

Reader Linda sent us this link to the website Classy Asian Ladies, “where quality single men can connect with upscale Asian women living in the US.” And that’s just the tagline.

The website’s “Why Date or Marry Asian Women?” page says:

While Asian women are well known throughout the world for their exotic beauty and sensitive nature they are also very smart and well educated, and in many cases high earners in the job market.

We can even speak English now!!!

In case you were worried to site was only racist, it’s also scoring high points on the sexism and misogyny meter:

It seems that in today’s society the average woman is becoming very competitive and even a bit more masculine than their counterparts in earlier generations. All the while it seems to be just the opposite is taking place for Asian women who tend to retain their sense of femininity and well-known cultural attitude of gentle and caring support.

That’s right, non-Asian women are just so mean, and they have such broad shoulders and huge fingers. Only Asian women have retained that sense of what it means to be a woman. It must be because we are just so innately connected to the ancient wisdom of our people, right?

With subject headings like “exotic beauty and sensitive nature” and “Asian women’s unique surprises” (oh I’m full of unique surprises), this would be some of the most hilarious satire I’ve ever seen. Except for the fact that Classy Asian Ladies is 100% for serious.

For me, one of the worst things about Asiaphilia, is that it turns me speechless. It upsets me on such a deep and visceral level, that despite my chattypants nature, when an exasperated non-Asian (usually a white guy) asks me what’s so bad about liking Asian girls, I have no words to explain it.

Continue Reading »